works info

An ongoing series of cyanotypes. The paper is handcoated by brush and then exposed outside. The title gives the time and place of this. Although exposure of a photograph typically refers to light, these have also been exposed to dew, rain, snails and—I like to think—inquisitive hedgehogs.

These works are a continuation of my long-standing interest in the relationship of painting and photography. They do not aim at a precise and reproducible process. Rather, they are happy to accept the inevitable inconsistencies which result from mixing the constituent chemicals oneself, and in coating the paper by brush; the first step in their production is allied more with painting than photography. Yet the works refer both to the ability of the painterly mark to arrest a momentary gesture on a surface and to the ability of the photograph to give prolonged existence to an unreproducible instant. Painting and photography share in their essences this palpable relationship to a moment passed: painting as the trace of the time it took a brush to get from one point to another, as something directional; photography as a directionless accumulation of time, however fleeting. In photography, arresting a transient moment is usually associated with the objects depicted, whereas in these works it isn’t the objects but the atmosphere itself which is recorded.


All works 69 x 46 cm, 640 gsm cotton rag mounted on honeycomb board.

To view a PDF of another series click here.






Dinton, 22nd August 2014, 12 noon–midnight, slight shower, 3pm


Hampstead Heath, 24th August 2014, 09.20–10.20


Hampstead Heath, 24th August 2014, 12 noon–1pm


Dinton, 21st–22nd August 2014, 20.08–05.55 Sunset-Sunrise


Dinton, 24 hours, 22nd August 2014 00.00–23.59